The second collaboration with Soundwalk Collective: a soundscape of the Mediterranean exhibited during Manifesta 12 in Palermo.
Conversazioni tra Arte e Architettura Edizione 02. On the occasion of this year MiArt, AR.CH.IT Luca Cipelletti is opening its doors to the public with the exhibition Architectures des Mémoires.
A retrospective dedicated to the French artists Anne and Patrick Poirier, in collaboration with Galleria Fumagalli.
The challenge to interpret fashion show as an exhibition, by museographical planning and working alongside Arbesser’s collections in various collaboration projects between art, fashion and architecture.
From 2003 to 2013, Luca Cipelletti gave a valuable contribution to the United Millennium Campaign, working as Art Director for a variety of rewarding and meaningful projects.
A contemporary wunderkammer made up of a monolithic industrial shelving unit designed inside the showroom and exhibition space of LaDoubleJ.com
An intense exhibition, a walk through the abandoned archive of an hospital, which becomes a promenade inside stories and memories listening to Soundwalk soundtracks.
“Cow dung goes high design” (Christine Smallwood – T/ The New York Times Style Magazine)
“An exhibition designed with red Pompeian walls sliced with perspective windows that resume the ones on the paintings. Across them the view can “travel” through the next room playing a game between reality and illusion, a principal theme on the artwork of De Chirico” (Francesca Bonazzoli – Corriere della Sera)
“The choice of this specific exhibition language is not only a challenge trying to tell a photographic archive in a contemporary way, it is also deliberately a project that seeks to tell the story of AEM view from a bridge that looks to the future, directly connected to all the advanced projects of A2A.” (LUCE n. 5/2010)
“Models sat on design-classic chairs by Austrian designers, in front of paintings by Austrian Hermann Nitsch. That’s what you call a theme.” (Matthew Schneier – The New York Times)
“This artistic coupling is tough to execute because it requires designer and artist to be kindred spirits in using colour, texture – and imagination. Valsecchi art and Arbesser’s fashion, curated by Cipelletti, seemed a perfect fit”. (Suzy Menkes, VOGUE)
“The two artistic spirits were working together to display Mr. Arbesser’s designs against a collection of Modernist art” – “Using their artistic vision, the two men started pairing clothes with objects, and achieved some fascinating results.” – “The result was arresting and original, an excellent example of two minds bouncing off one other.” (Suzy Menkes, The New York Times)